More specifically, the knife fight’s only successful strike. If your squeamish, suck it up, ’cause we’re going to start with the knife fight. But we love this scene for its gloriously silly action, no-holds barred attitude, and utter implausibility. He is especially fun while berating his younger self in the film, and has a smarmy, slippery way that practically begs for a Van Damme heel kick to the face. The film has a number of surprisingly effective moments, most of it thanks to the late scenery-chewing master Ron Silver as McComb. But it is in service to the plot rather than being the reason it exists. We’re not saying he doesn’t do any fighting. His fighting skills aren’t an especially important element of the character or story line. This movie is a bit of departure – a high concept political thriller with time travel. While were not big fans of Van Damme, we respect his contribution and have spent some lazy Saturday afternoons having a laugh over his rock ’em sock ’em films. He is known for fast action with strong leading men. More: Director Peter Hymas has been making movies since the early 1970s, most of them action oriented and on the side of cartoonish, though he did make a very competent sequel to 2001: A Space Odyssey, 2010: The Year We Make Contact. A nearly naked Jean-Claude does what he does best, kick booty and do what we paid our ticket to see. The electric charge (more on that also) of the baddies taser wakes Walker just as the electrified prongs fire at his head. Interestingly, a disembodied voice (the same voice we hear in his future car – more on that soon) announces that he has no new messages. but got undressed at some point because as the scene starts, he is only wearing boxers. Why it Matters: Well, we have a lot to admire here. Just prior to this moment, Walker spent the night in dead-wife-movie-cliché, drinking in the dark while watching a home movie of her talking to him while he films. As the story progresses, Walker leaps back again to try and stop the corrupt senator as the two race for control over each other’s destiny.įast-paced, well-directed and filled with better action and special effects than the usual Van Damme experience, Timecop delivers as a 90s action thriller. Walker is double-crossed by someone close and narrowly escapes his own death while attempting to stop McComb. McComb has been looting the past for gold and cash and has a lot of powerful people in his back pocket. He learns that he his working against his will to steal money from the past to fund the presidential bid of none other than McComb, and feels suicide is the only way out of his dilemma. We sense something foul afoot.Ī decade later, Walker is still at the TEC and finds himself in 1929 trying to prevent his former partner from jumping out of a window during the stock market crash. That same night, his home is attacked and his wife is killed in a massive explosion. Soon after, police officer Max Walker ( Jean-Claude Van Damme) is made a TEC agent. Headed by the so-obviously-a-bad-guy-you-wonder-why-he-isn’t-named-Snidely, the shady Senator Aaron McCrumb ( Ron Silver) has plans of his own for the project. Because of its use for nefarious exploits (think machine gun-totting robbers holding up Civil War era coaches), it is also illegal and the government has created a Time Enforcement Commission with special agents to prevent and investigate these time. A box office hit, it was met with mixed reviews by critics, but is often considered one of the better film of it star. Timecop is a science fiction crime thriller about a cop who uncovers a plot by a politician to use time as a means to win the Presidency.
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